Aah, movie posters. Where would we be without them? I'm sure we'd be disheveled, muttering to ourselves whilst holed up in a cave somewhere; that's how reliant we are on them. I require them for my sanity for without their beautiful compositions, striking colours and bold images what would I have to occupy so much of my time? Oh, I could try and "have a life", but who wants that when - thankfully - there are so many beautiful posters to spend hours gawking at?
I've decided to expand this year's look at 2010's year of movie posters. I was doing my list and it just get growing and growing. What can I say? I love a good poster! Some of you may have already had a peek at my favourites (and least favourites) of the year by
reading my article at Trespass, but that list is tiny compared to this one! Plus, it only went by Australian release dates (hence
Precious, but no
Black Swan, for instance). The below "awards" and subsequent list (in part two, tomorrow) of the year's best and worst posters is comprised of a wholly unspecific list of American release dates, Australian release dates, festival titles (those without release dates tend to chart, those that do can wait for their moment at the end of 2011) and whatever I came across in my travels. I hope you enjoy and feel free to chime in with your favourites, disagreements and outrage.
Tomorrow will be the list, but until then enjoy these fun "awards" that I give away every year.
Worst Male Photoshop:
The Expendables
The really terrible Photoshop hack-job that happened on the posters for
The Expendables were strangely - although, ultimately, not surprisingly - ignored in favour of people spending more time talking about women they apparently hate in a movie they know they hate before seeing (that'd be
Sex and the City 2), but nothing made me escape the horror fright show that is Mickey Rourke's face on this poster. Or Bruce Willis' face. Or Sylvester Stallone's face. Or Randy Cou... okay, all of them, really.
More on this poster.
Worst Female Photoshop:
Sex and the City 2
No, it doesn't get off lightly. We all know why these are bad, but it's sometimes easy to forgive and be all "well, they can't show Sarah Jessica Parker's cellulite, can they?!?" But then I figure "well, they'd probably get more - and better - press if they did!" And really, the less said about Kim Catrall's face here the better.
Worst Trend:
Unnecessary "Series"
The Legends of the Guardians: The Owls of Ga'Hoole, Repo Men, Never Let Me Go,
Shanghai, TRON: Legacy, Agora
Really. Could anybody tell the difference between any of the owls from
The Legends of the Guardian? And yet they all got their own individual poster! I didn't need to see all those posters for
Repo Men or
Shanghai, nor did
TRON: Legacy need 30 designs for the same thing. Strangest of all was
Never Let Me Go, which is hardly the sort of film you would think warrants character posters for its protagonists, and yet somehow we got them. Meanwhile, the only people who will get anything out of individual character posters for
Agora are people who get off on history in a big way.
Worst Spoiler:
TriangleBy pure definitely
this poster is a spoiler so I won't post it, but if you've seen the movie you'll know why it's so ridiculous. And, for what it's worth,
Triangle is very good so you should see it!
The "My, What a Big Floating Head You Have" Award for Excellence in Big Floating Heads:
Creation
I actually did a little jump out of my seat when I first saw this design. They really are big giant floating heads, aren't they!
Most Sexist Poster:
The Bounty Hunter
Because nothing says "fun night at the movies with my gal pals" than a woman being sat on by a big oaf.
Amirightladies?Worst Case of Receding Poster Quality:
Let Me In
From 
to 
cheapened Hollywood multiplex poster that takes the same basic concept that made that first poster so good and drains it (pun intended) of every ounce of its life-force. Take a look at this travesty.
More on these posters.Unscariest Poster for a Scary Film:
The Last Exorcism
No. I think it's the gross open legs.
Worst "Empty Space" Poster:
Case 39
Because nothing says "see my movie about Renee Zellweger opening a mysterious 'case'" than Renee Zellweger reaching into the pantry for some peanut butter. What? That's
not what she's doing? Oh, well, maybe they could have, oh I dunno, made something - anything - clearer? Yeah, maybe.
Worst False Advertising
Beneath Hill 60
This is not a movie about rugby. Apparently the poster thinks it is.
Is it a Movie Poster or a Book Cover?
Never Let Me Go
Marketing you movie to people who enjoy movies about people running down piers, that'll turn your arty, British sci-fi movie into a hit, won't it!
Best Poster Ruined by "IN 3D"
All of them! - no, but seriously
My Soul to Take
I actually really like this design for Wes Craven's horror flop, especially in a year where horror films generally didn't have all that much going for them. That big blurb at the top, however, is clunky and unnecessary. In 3D!
Funniest "WTF?" Moment
Cats & Dogs: The Revenge of Kitty Galore
I remember standing outside the Greater Union cinema on Russell Street as I waited in the line for
The Radiant Child at MIFF when I saw this poster for the first time. I let out a mighty guffaw at the time, which was a bit embarrassing since I was by myself and people stared at me. They then took a gander at the poster I was looking at and promptly joined in. Really. The juxtaposition between it and the movie we were waiting to see the film festival was too powerful.
I anticipate the poster from 2011 that takes out this "prize" will also feature a dog after this and
last year's Heavy Petting have taken it out in successive years.
Worst Tagline
Secretariat
THE IMPOSSIBLE TRUE STORYTrust me, there were so many contenders here - how about
Clash of the Titan' "Titans Will Clash",
The Tooth Fairy's "The Tooth Hurts" or
I Spin On Your Grave's "It's Date Night" - but the worst of all was this treacly poster for horse racing drama
Secretariat. It all but screams "Oh Oscar, you're such a big, strong, sexy man, please make love to me
ooooh!" but to throw that ridiculous tagline is unforgivable. It's "impossible" is it? I hate you! Maybe if it was impossible the movie wouldn't exist and we'd all be better for it.
The "This Deserves Better" Award
The Town
These posters for Ben Affleck's crime drama
The Town aren't necessarily "bad", but they certainly are disappointing and uninspiring. If you're going to utilise the imagery of rank robbers wearing nun outfits and carrying guns, why not have more fun with it? Line them up like
The Usual Suspects or
something! I'd also suggest the marketing team behind
The Fighter could have done something better for the film, but the work there gets the job done.
Most Literal Poster:
Jack Goes Boating
Does anyone called Jack even
go boating in this movie? The poster certainly seems to think there is and that he does. You couldn't exactly look at this and figure "maybe the title is a metaphor?" I mean, it looks pretty clear that Jack does indeed go boating. What's the deal?
The "Haven't I Seen You Before?" Award
Inception, Dear John,
The Art of the Steal, The Company Men
I was just going to call this category "Worst Rip-Off", but they're not exactly bad posters, just obviously derivative of other (better) posters. In case you're wondering what posters they're meant to remind you of, they are:
Peter Pan, Any other Nicolas Spark movie,
Small Time Crooks and
Glengarry Glen Ross. There were dozens of others, but these felt the most obvious.
Best Saul Bass Impersonation:
The Alamo Drafthouse's "Rolling Roadshow" Posters
Oh sure, they're not posters for new movies, but the Saul Bass impersonations were low in 2010 and anything to not have to give this prize to
Buried by default. Jesus, I really don't like that
Buried poster. You know the one I'm talking about, right? Of course you do, I'm not even going to link it I dislike it so much.
Dreamiest Use of Colour:
Uncle Boonmee Who Can Recall His Past Lives
This poster has a sort of soothing quality to it, don't you it? Those beautiful, almost sparking colours of the waterfall that resemble blue, silver and purple, the deep green of the vines and that beguiling mix of red, pink and orange found in the dress. It's the only poster for Apichatpong Weerasethakul's film that I feel represents what I've read about the film with its mystical qualities. This is a Spanish poster and is the first to go outside of the hairy beast man imagery as its focus.
Best UK Quad (Different to Original Design):
{tie}
Certified Copy and Catfish
I love that the British quad - a form of the medium that can sometimes bring about better results, truthfully - uses such big and bold colours for
Certified Copy. And while the quad for
Catfish plays with the film's themes a bit more obviously, I think it makes for a better and more visually pleasing poster and it plays a bit more mysteriously.
Best Upgrade:
Grown Ups
From 
to 
The first poster is obvious, lazy, technically flawed and just flat out annoying. The series that followed, featuring teenage photos of the film's male castmembers - actually has a charm and a bit of humour about them.
Best Rip-Off:
Daybreakers
Works from an idea from the posters for TV series
True Blood (with a little bit of
Saw's "blood drive" campaign thrown in), but it's still a nifty idea and it looks impeccable.
Best Use of Indie Money
Daddy Longlegs (aka Go Get Some Rosemary)
This category was born out of the idea that these absolutely tiny independent films sometimes come up with the best posters because they have such limited resources and must come up with something truly eye-catching and memorable. Something about this painterly design for
Daddy Longlegs really appeals to me. I look at it, tilt my head slightly sideways and wonder what it means (perhaps it doesn't help that I haven't seen the movie?) To paraphrase that old art saying, "I don't know what it means, but I like it!"
Best Poster Series:
Black Swan
What can I say that hasn't already been said about these enthralling designs for Black Swan? Looking simultaneously like trashy novels, classy noir cinema and bold artistry to be hung in a gallery, they are truly captivating and so perfectly suit the movie they're selling. Meanwhile,
Scott Pilgrim vs The World proved that some movies
actually warrant the "character series" treatment. Appropriate and very cleanly done, I like!
Best Tagline:
The Social Network
YOU DON'T
GET TO
500 MILLION
FRIENDS
WITHOUT MAKING
A FEW
ENEMIESYes, it's brilliant. I was originally going to go with
The Four-Faced Liar, but it's tagline - "A comedy about drama" - is actually taken word-for-work from
Camp, so I deemed it ineligible. I love being able to make up rules on a whim, don't you?
Greatness Previewed - Already Brilliant Posters of 2011:
(in alphabetical order)
Cold Weather, happythankyoumoreplease, A Horrible Way to Die,
Jane Eyre, Les amours imaginaires, Prom
We're always on the lookout for great posters and we've already spotted these designs that will surely hang around the right level of incredible to be included on 2011's list. I'm particularly fond of Jane Eyre (
previously discussed) and happythankyoumoreplease, which - like I was saying about the "best use of indie money" category - does a great job of grabbing the eye with such few resources. Great colours and a bit of imagination will get you far in my book!
The Third Annual Showgirls Honourary Award for Brilliance in the Face of Ineptitude in Poster Design
Yogi Bear
Whoever let that copy slip by them needs to be fired, but sent home with a (pic-a-nic) basket of fabulous goodies for providing us with such entertainment in 2010. [insert smutty joke - i'm sure yours are better!]
And with that we reach the end of part one. Tomorrow we'll countdown the 25 worst posters of 2010 as well as the top 50! It'll be a blast, see you then!
Having now seen it, I can see the reasons why people were comparing this year's Oscar race to that of 1977. The talky, modern day, socially relevant movie with a screenplay for the all time list wins several major categories, but is ultimately trumped by a feel good movie. That Rocky and The King's Speech were both incredibly well-received by critics and audiences alike means nothing to the tsk tsk-ing important people who begrudge their wins. No doubt that Network and The Social Network were amongst the best films of their year, but for all the talk of the "real classic" being unrewarded, I can think of several films from both 1976 and 2010 that deserved the Academy's statue even more. B+
