Tampilkan postingan dengan label Politics. Tampilkan semua postingan
Tampilkan postingan dengan label Politics. Tampilkan semua postingan

Senin, 16 Mei 2011

The A-Z of IDAHO

Today is IDAHO - International Day Against Homophobia and Transphobia, don't ask me why they changed T and O in the acronym, okay? - and it's such a valuable day that will sadly no unrecognised in mainstream media. Tell that gay man or woman in your life, or the transgendered friend or family member, that they're important and valued.

Living in Australia right now can be quite sad for GLBT people since we have a Prime Minister and an opposition leader who seem to be battling each other to make the most homophobic statements possible. Hell, our PM is an athiest who "lives in sin" with her boyfriend, and yet she comes out saying that she doesn't believe in gay marriage because Australia has deep Christian roots. To Prime Minister Gillard I say "fuck off!"

I don't really have much to say on the matter because, well, I talk about gay issues quite a lot. Instead of making you read a whole lot of blather about what it means to be gay, I have collected a bunch of film trailers for films that deal with GLBT issues and that have personally affected me in some way. Some of these movies are tough and tragic, others are sweet and magic. So, just like the real world, I suppose. I recommend all of them and if you haven't sought out much in the way of gay cinema then I suggest you avoid the lame comedies that fill the "specialty interest" section of your local DVD retailer (Another Gay Movie, The Fluffer, Eating Out 7), but instead look at some of the daring, groundbreaking, thrilling, funny, touching and wonderfully made movies that have been made by some fabulous talent. The films below aren't necessarily my favourites, but they are great films, some of which don't get discussed enough in this world where A Single Man is the new go-to movie for gay cinema watchers.


The Adventures of Priscilla, Queen of the Desert | Bear Cub


The Celluloid Closet | The Deep End


The Edge of Seventeen | Far from Heaven


Gypsy '83 | Heartbeats


I'm the One that I Want | Just a Question of Love


Kaboom! | Last Exit to Brooklyn


My Beautiful Laundrette | Newcastle


Orlando | Paris is Burning


Querelle | The Rocky Horror Picture Show


Shortbus | The Times of Harvey Milk


Urbania | Velvet Goldmine


Welcome to the Dollhouse | X2


Yossi & Jagger | Zus & Zo

Selasa, 03 Mei 2011

Review: Video Nasties: Moral Panic, Censorship & Videotape

It may appear to be nothing more than a glorified DVD extra, having appeared on “Video Nasties: The Definitive Guide”, but what Jake West’s documentary Video Nasties: Moral Panic, Censorship & Videotape lacks in length, big name interviewees and theatrical prestige it gains in pure thorough entertainment. An obvious relative to Mark Hartley’s Not Quite Hollywood, which looked at the bawdy “ozploitation” films of the 1970s and ‘80s, West’s film is never the less a more historical look at a time when British politics went mad and aimed to silence filmmakers for simply failing to adhere to the prehistoric borders of good taste and decency.

Beginning with a superbly edited and comically ridiculous three minute montage of “the 72 films that changed Britain forever” (as the tagline suggests), Video Nasties then aims to educate viewers on the hows and whys, ins and outs of just what was so deemed so bad about these films, who was responsible for their subsequent banning and the fall out from what was tantamount of a right ol’ book burning, but with beta and VHS piled up instead of paper and bindings.


Jake West comes from a background of horror movie DVD featurettes as well as direct-to-DVD sequels like Pumpkinhead: Ashes to Ashes and has directed and edited Video Nasties himself. For the first 10 minutes or so he throws in VHS-style “grindhouse effects” like tracking symbols, fuzziness and looping, but downplays it after a short while. The 72 running time (coincidental or deliberate?) feels like it could easily have been extended, but that’s probably more an issue of time and budget than West’s skills behind the camera. Unfortunately though, Video Nasties lacks a sort of bravura authoritativeness that Not Quite Hollywood had in spades.

His interview subjects are fascinating, but apart from several big(ish) name directors like Neil Marshall (The Descent, Dog Soldiers) and Christopher Smith (Severance, Triangle) and some important political figures of the time, they lack depth. Their expertise on the topic somewhat makes up for this, but it’s a shame West and his producers couldn’t nab a big name like Hartley did with Quentin Tarantino, Dennis Hopper or the seemingly never-ending parade of cast and crew that were directly involved in the making of the “ozploitation” films that particular movie covered. It is interesting to hear them speak on something I’ve noted personally several times, that watching these movies on blu-ray almost defeats the purpose of them. The example of A Serbian Film is used, saying that it looks too good to be a true “video nasty”, the value of which comes from being grungy and done so that you either believe it’s really happening (Cannibal Holocaust) or so over-the-top that you can’t believe anybody ever thought it was scary (Night of the Bloody Apes).

If Video Nasties does improve upon Not Quite Hollywood in one aspect, it’s the way its subjects have such a strong historical context in the censorship debate. A debate that, it must be sadly noted, is still raging to this day, at least here in Australia (what with movies being banned and the like). West’s clip selections – film and vintage news – are also a riot, and it’s fascinating to see footage from so many movies and laugh at the thought that the overly silly violence was deemed too indecent for the British public. Hearing Marshall, Smith and the others discuss that thrill of entering a video store during those early years of video tapes and discovering the world that cinema would open up to them is something all cinephiles will identify with and find humour in.


Video Nasties: Moral Panic, Censorship & Videotape is not a perfect documentary, but it tells a wonderful story that is rarely discussed about in these days of everything being available to anyone, anywhere at the click of a mouse. It’s important to remember that Apocalypse Now, The Big Red One and even poor, defenceless The Best Little Whore House in Texas were once taken off the shelves purely because some people deemed fit to monitor the public’s viewing habits thought they sounded offensive and would corrupt the masses. Movie lovers should watch this and imagine what could possible happen in 2011 of a similar nature. Perhaps that’s a topic for another DVD. B

Rabu, 10 November 2010

Review: GasLand

GasLand
Dir. Josh Fox
Year: 2010
Aus Rating: PG
Running Time: 104mins

Narration has been a notoriously tricky concept for cinema to grasp from time to time. Blade Runner and Dark City have each waged wars against studio-enforced narration that single-handedly peeled back a curtain that didn’t need to be peeled. At other times it can make the most traditional of film feel like it’s hitting you over the head with its message. However, sometimes narration is very helpful and, at least in documentaries, it can be of the utmost important. Sometimes you can be Deep Water and be blessed with the voice of Tilda Swinton, or sometimes you can be a filmmaker like Michael Moore, whose voice is certainly one that can enliven and empower a film. And then there are films like GasLand where first-time documentary filmmaker Josh Fox has provided his own narration and come perilously close to hampering his own film.

Lucky for Fox that GasLand revolves around such a fascinating topic, then, isn’t it? Receiving a letter one day from a natural gas company he promptly picked up a camera and went around the country, trying to discover everything he could about the debatable ethics that circle the issue of natural gas farming. And as Australia enters the production field, audiences should have their ears pricked for the message of GasLand.


The message, from a broad sense, is one we’ve seen plenty of times before in non-fiction and fiction films alike. Whether it be Roger & Me or Erin Brockovich (the latter of which could almost be telling the movie version of the GasLand tale, even down to the scene where corporate officials are offered a glass of the water they say isn’t contaminated, only to turn it down), we’ve all been made keenly aware that corporations are bad, but as Fox’s observant camera shows us, they’re also incredibly stupid. There are times in this movie that audiences will be truly baffled by not only how clueless these companies can be, but at the near unfathomable level of stupidity that they think even the most modest of country living folk must be to accept their bunkum. Fox's examination of how the Bush government - and, specifically, Vice President Dick Cheney - made the natural gas production company's practices exempt from the regulations that would make it illegal is particularly interesting, galling and despicable whilst really just calling into question why anybody would believe a government that would allow this.

Fox has certainly done a good job of collecting an interesting slate of people affected by the unhealthy side-effects of natural gas drilling – a process known as “Hydraulic Fracturing” that sends countless amounts of chemicals into the ground in order to extract the precious natural gas that lies in multi-statewide underground oceans, resulting in contaminated water and illness to both humans and livestock. A more cynical filmmaker may have tried to locate more “colourful” locals, but Fox’s participants, some of whom even demonstrate the flammable water that is now gurgling through their pipes, are all genuine and likeable people that are immensely watchable.


His trip across America from his home state of Pennsylvania is entertaining as it is horrific. The most distressing moment for some will be one involving the cruel effects of the drilling on farm animals and domestic pets, but the moments of comedic relief provided by setting fire to water by the oft jovial participants Fox has assembled as well as some nice lively presentations of stale facts alleviates the shock and makes sure GasLand isn’t one big misery-filled lecture on how close to hell these mass corporations are willing to send us. I wish Fox had purchased a tripod – or, hell, even just placed the camera on a box or a chair – since the handheld camera movements can induce queasiness from time to time. I think we can all agree that it's hard to get your message across when everyone's getting dizzy because you can't hold your camera still for five minutes, right?

However, shaky cameras can be forgiven, but, as I spoke of initially, if GasLand has one major problem that is almost impossible for me to overcome it is Fox himself. Having given himself narration duties, he has unfortunately not realised that his voice is not suitable at all! His dry, slow delivery is routinely punctuated by invisible ellipses’ and gaps. He’s far more entertaining when he’s not reading from a script and is merely interacting with the residents affected by the likes of Halliburton. When spontaneity is removed and pre-written words are placed in his mouth, Fox loses every ounce of personality and interest (at least in this viewer). At the early hour that I saw GasLand, I am not ashamed to say he put me to sleep for the briefest of moments. It’s an unfortunate aspect of what is a regularly fascinating documentary that should be taken very seriously. The discovery of natural gas resources under Australia, and the selling of land to companies already, means that we will surely be hearing more and more about this in the near future. If you see GasLand you’ll be ahead of the curve in your outrage and, rare for a documentary these days about the environment, it might actually be preaching to more than just the choir. And that’s almost as cool as playing a banjo whilst wearing a gasmask in front of a processing plant. B

CAN YOU DO THIS WITH YOUR TAP WATER? from JOSHFOX on Vimeo.

Senin, 02 Agustus 2010

Review: The Special Relationship

The Special Relationship
Dir. Richard Loncraine
Year: 2010
Aus Rating: M
Running Time: 92mins

It should come as no surprise after viewing The Special Relationship that it was originally produced for America’s esteemed HBO. The success of prior Peter Morgan-written films like The Queen and Frost/Nixon are surely what prompted a theatrical release in Australia, but it becomes quickly obvious that television was the correct domain for this rather flat retelling of the “special relationship” between US President Bill Clinton and UK Prime Minister Tony Blair between the years of 1993 to 2001.

Read the rest at Trespass Mag

I go on to discuss how Michael Sheen needs to give up this whole Tony Blair thing and how Hope Davis is the best thing about the movie. I don't want to give Peter Morgan any ideas though because haven't we all had enough of this very polite sub-sub-sub genre of political biopics written by Peter Morgan? I think so!