In honour of the record breaking nomination haul by David Michôd's
Animal Kingdom at today's Australian Film Institute Award nominations, here are 18 thoughts/musings/reflections/etc. The entire list of contenders can be found at the
AFI website, so please head over there and save me the effort of
copying and pasting like a lazy git typing them all out.
1. 18 Nominations for Animal Kingdom?As if its status as one of the most acclaimed and important films in Australian history, today it had to go out of its way and nab itself 18 nominations! That's a record as far as I can tell (nobody seems to have corrected me yet). Of course, it helps to get three out of four Best Supporting Actor nominations (Guy Pearce, Joel Edgerton and Sullivan Stapleton) and two Best Lead Actor nominations (Ben Mendelsohn and James Frencheville). Throw in some (shall we say) curious technical nominations like Cappi Ireland's for Best Costume Design and Best Production Design for Jo Ford and that means
Animal Kingdom received a nomination in
every single category that it was eligible for!
2. The Waiting City is this year's DisgraceEyebrows were certainly raised last year when Steve Jacobs' critically acclaimed
Disgrace, starring a career best John Malkovich, failed to receive a single nomination and it looks like that honour has been bestowed upon Claire McCarthy's
The Waiting City in 2010. Oh sure, Denson Baker received a well-deserved Best Cinematography nomination, but that's it. I didn't expect it to get nominations across the board, but the exemplary work by Joel Edgerton and Radha Mitchell (giving perhaps their best ever performances in my eyes) seems like good solid Best Lead Actor and Actress nominees. Not the case. I wasn't as anti-James Frencheville as some, but his nomination over Edgerton (or Peter Marshall in
The Horseman for that matter) is baffling.
3. Bright Star was remembered.I am so happy that not only was
Bright Star remembered in the Best Film category, but Jane Campion and Abbie Cornish, too, in their respective fields. Campion's stunning film about poet John Keats was released late last year (along with
The Boys are Back, which also had a solid nomination tally) and could have easily been passed over for more recent fare. Note, Campion is nominated for Best Original Screenplay, not Adapted like the Academy tried to make out that
Bright Star was (pish posh, obviously!)
4. Women make up half the Best Direction categoryIt's true. And it's interesting that they went with Julie Bertuccelli, a foreigner.
5. Don't feel sorry for Kodi Smit-McPheeSure, he's the lone representative for any movie that is
not Animal Kingdom in the Best Supporting Actor category, but since he is nominated for a film that was a flop and an awards day dud (that'd be
Matching Jack), not to mention his second nomination for
The Road in the International category, let's not get too sad for the kid. He's already won an AFI and another nomination in his brief time plus he's making critically acclaimed films overseas, so he's going all right!
6. Speaking of those International Awards...You have to just accept Sam Worthington being nominated for
Avatar, but Mia Wasikowska for
Alice in Wonderland? When she gave a great performance in
The Kids are All Right? That's crazy talk! Meanwhile, Naomi Watts received what will probably be her only nomination for
Mother & Child and she should probably win the category, unless voters are feeling partial to Toni Collette in
The United States of Tara for a second year in a row.
7. FavouritismYeah, Jacki Weaver was great and all and seeing her nominated (and surely win) was great (although I'm more excited about her
Oscar prospects right now), the top nomination of the day for me was that left field, but oh so rockin' nomination for
Daybreakers in Best Original Screenplay. You can't say that isn't an interesting citation. I'd say a deserved one, too.
8. Tomorrow when Ashleigh Cummings is a starI was happy to see Ashleigh Cummings got a nomination in the Best Young Actor category for her work as "Robyn" in
Tomorrow When the War Began. As I get further away from seeing that film, a good one and one that got several major nominations including Best Film, it is without a doubt she and Deniz Akdeniz that linger as the standouts. That shot of Cummings walking towards the camera as she fires her rifle is one of the finest individual moments from any of the AFI contenders.
9. No The HorsemanI know it was a very longshot, but it would have been great to see Steven Kastrissios' intense revenge horror film
The Horseman get something. Peter Marshall's performance is the best male performance of the year, too.
10. Ben Mendelsohn will finally win a Lead statueHe's like Meryl Streep. He won way back 1987 for Best Supporting Actor in
The Year My Voice Broke, but despite six nominations in the Lead categories (one was for Lead Actor in a TV Drama for
Love My Way) it appears he will finally get that Lead Actor AFI award. I thought he deserved it last year for
Beautiful Kate over the eventual winner, Anthony LaPaglia for
Balibo, but who can deny him this year? James Frencheville is the Queen Latifah to Mendelsohn's Catherine Zeta-Jones, if you know what I mean.
11. Doubling upThis doesn't happen to often. Not only are two actors from the same film represented together in Best Lead Actor (the aforementioned Mendelsohn and Frencheville from
Animal Kingdom), but the Best Lead Actress category, too, as French actor Charlotte Gainsbourg joins her young
The Tree co-star Morgana Davis. I was hoping for one, but didn't expect both!
I keep a running "ballot" document for each year as it goes by and I have Davies and Gainsbourg listed together under Best Actress purely because they feel so intertwined in that film that it feels impossible to separate them. No one is going to deny Jacki Weaver in that category at the AFIs, but I reckon Morgana Davies would've won this in a walk if Weaver had have been submitted in the Best Supporting Actress category, but that's not how the AFI Awards work.
12. International names on the listWe've already mentioned Julie Bertuccelli (Best Direction) and Charlotte Gainsbourg (Best Lead Actress), but Clive Owen too snuck in on goodwill for
The Boys are Back, a likable if unremarkable film that still wormed its way to nominations.
13. Ernie Dingo?Did this well known actor's recent string of bad publicity and alleged criminal activity cause him to be snubbed for
Bran Nue Dae. I don't know anyone who doesn't say he gives the best performance of that indigenous road trip musical, a Best Film contender, and yet he was absent from the ballot. Was surprised to see Geoffrey Rush not nominated, either, in the Supporting Actor category since he is so revered.
14. John Edwards, but not the psychic oneIs John Edwards the most respected man in Aussie television right now? The AFI TV categories are filled with projects he is involved with. In fact, of the four Best Television Drama series nominees, only one (
ONE!) does not list John Edwards as one of the producer nominees.
Rush (Network Ten),
Spirited (W) and
Tangled (Showcase) have all been shepherded by the man, which is a remarkable achievement. That his three shows are all quite good is another matter entirely. How about Claudia Karvan and Jacquelin Perske, too? They have a new show? Nominate it!
15. Network Ten, for better or worseWhether you like Network Ten's programming - and I wholeheartedly agree with piece by Clem Bastow at
The Vine re James Packer's recent purchase of the channel - it's hard to deny, as I look over the
TV nominations that without them the list would be... barren, for lack of a better word. Hell, the Best Telefeature/Mini-Series category wouldn't even exist! And I think we can all be thankful that
Rush is there to save us from an embarrassing
Packed to the Rafters/
Rescue Special Ops situation.
16. Five outta six ain't bad!Back to the films, I wasn't a fan of
Beneath Hill 60, but the nominations are all pretty impressive. Sure, the
Animal Kingdom love went a little bit overboard like Goldie Hawn, and
The Waiting City's egregious snubbing is more than a little sad, but one bad movie out of a bunch (and, yes, I am admittedly in the minority in regards to my feelings about Jeremy Sims' WWI movie) is a good stat.
17. Struck outFilms to receive no nominations at all are
Accidents Happen,
The Horseman,
I Love You Too,
Lou,
Mother Fish and
Subdivision. Nothing too upsetting about those apart from
The Horseman, which I've already spoken about.
18. Next year?We've already seen several contenders in the form of
The Loved Ones, which should be nominations across the board, but I'll be specifically cheering on nominations for Best Production Design, Best Costume Design and Robin McLeavy for Best Lead Actress, giving a performance that can instantly be regarded as one of the greatest horror performances of all time. Yes, I am being serious. We've also got
Red Hill, which should do well in the technical categories, and - depending on eligibility issues -
The King's Speech. That Oscar contender is an official UK/Australia co-production, but is it enough of one to qualify? Well, that's too far away to think about, so let's just stay with 2010, okay?
An Australian presence at the prestigious Cannes Film Festival hasn't exactly been loud and proud for many years now, although the occasional Samson & Delilah (un certain regard) and Bright Star (in competition) do surface to make local media take notice ever so briefly. So it's great news this year with four Australian productions screening at the festival, including in competition for the Palme d'Or!
Less exciting, however, is the inclusion of Justin Kurzel's Snowtown amongst the Director's Fortnight selections. Having seen it a couple of weeks back, I can't say I particularly enjoyed the experience. I'll surely have more to say closer to the release date, but I think it's one of the best made bad movies I've seen in quite a while. Wait, does that make sense? Yes. Yes it does.
