Tampilkan postingan dengan label Costumes. Tampilkan semua postingan
Tampilkan postingan dengan label Costumes. Tampilkan semua postingan

Jumat, 03 Desember 2010

Fashion Run(a)way

My favourite, most memorable aspect of Floria Sigismundi's The Runaways - and there was a lot, from Dakota Fanning's wonderful performance as Cherie Currie (love that shot of her that I have included below the next paragraph), the obviously excellent music and the way Sigismondi maintains a vibrant look and an exhilarating fast-paced energy even when the story feels been-there-done-that - was the costume design by Carol Beadle. The Runaways is Beadle's first feature after having worked on a short film called Crabs and music videos such as Christina Aguilera's "Fighter" and Marilyn Manson's "Beautiful People" (on which Sigismondi was the director).

Without a doubt, I have not seen better costume design from a 2010 film. I'd include this amongst one of the few citations I'd really love to see pop up on Oscar morning, but I already know it won't happen. Oscar generally goes much more historical and opulent, rather than the thrift store design that are spread throughout The Runaways or the glam-punk duds that the characters eventually morph themselves into, especially when the film is a flop. There are so many costume changes spread across this film that it's hard to keep up. A delirious, varying display of wild 1970s prints, colourful jumpsuits, printed tees studded jackets, sequined sweaters and leather ensembles. They're colourful, intricately designed, period faithful and attention-grabbing.


I'm not a woman, but I covet the black and white zig-zag top Dakota wore to the nightclub when she got spotted by the agent (5th and 6th from the top), the "sanFransIsco" tee (12th from the top), Kristen Stewart's "DETROIT" shirt (1oth from the bottom) and the hot pink suit that Kristen's Joan Jett wears to the radio station in the film's great closing sequence (last), itself a replica of the design Jett wore on the I Love Rock 'n' Roll record cover in 1981. Can somebody reconfigure these into men's clothes so I can wear them? I randomly decided to screencap my favourite fashion moments and have included them below. I knew I wanted to do this entry during the leather jacket store scene (2nd from the top) where Stewart is wearing her high-waisted jean/printed tee combo, the store lady has on that beige, sequined top and crazy print skirt and the man is wearing that badass studded leather jacket. Note that this is the second scene in the movie; I was already hooked!
























Senin, 15 November 2010

Review: Harry Potter and the Deathly Hallows: Part 1

Harry Potter and the Deathly Hallows: Part 1
Dir. David Yates
Year: 2010
Aus Rating: M
Running Time: 140mins

Two thirds through the seventh film in the Harry Potter franchise, Harry (Daniel Radcliffe) tries to explain why he’s soaking wet and holding a legendary sword that will help him destroy ancient artefacts: “It’s a long story.” And boy is it ever!

Read the rest at Trespass

It was difficult to write about this penultimate film in the Harry Potter franchise. I liked it well enough, but almost everything that is singular and unique to this film, and thus more demanding of attention, fell closer to the negative side of things for me. I tried to steer it closer to the "generally positive" view that I have of the movie, but I'm not going to spend an entire paragraph talking about Stuart Craig's (yet again) spectacular production design since I've been saying that since at least film number 3 in the series (the first two were so bad that I don't remember a single thing about them other than indeed how bad they were).


Speaking of which, as happy as I am for the actors - especially Emma Watson, who I want to see go on to have a career that will allow her to not simply be known as the girl that played Hermione Granger - to nearly be done with the films, they've all been given the chance to pursue other projects (Rupert Grint is on screen in Aussie cinemas right now in Wild Target with Emily Blunt and his Deathly Hallows co-star Bill Nighy), I'll be happiest most of all for Stuart Craig, the utterly fantastic production designer who has done absolutely nothing but Harry Potter films since 2001.

His work has constantly been stellar - my favourites would be Prisoner of Azkaban, Goblet of Fire and Order of the Phoenix, he clearly had a great time designing the interiors or Delores Umbrage's pink den - and it will be good to finally see him return to other fare. Let's not forget that Craig had won three Academy Awards before taking on the monstrous Harry Potter duties. He won for Gandhi, Dangerous Liaisons and The English Patient, plus nominations for The Elephant Man, The Mission and Chaplin (as well as Philosopher's Stone and Goblet of Fire), so it's obvious that this man is too talented to be held down by just one franchise.

Similarly, Jany Temime has more or less been stuck doing the costume design for the series since Prisoner of Azkaban in 2004. While she's been able to work outside the series - most notably In Bruges and Children of Men - maybe now she can finally use her magic (no pun intended) on something else that's really deserving of her talents and strengths as a costumer designer.

The final film arrives in July 2011 and I suppose others out there in the land of the internet will be revisiting the films a lot throughout the next seven months. You won't hear much out of me until then, however, at which point I'll be celebrating that it's finally come to an end. No matter how great Deathly Hallows: Part 2 is, it will be time to hang up the wand and the invisibility cloke and move on. 'til then...